MARK
DOYLE RETRACES HIS ROOTS
Who's
Central New York's King of the Electric Guitar? Many names
spring instantly to mind as likely contenders for the crown:
Kim Simmonds, Tim Harrington, Bobby Green, Mark Hoffman, Peter
Heitzman, Gary Zamory, Ronnie DeRollo, Dave Cook, Joe Bonamassa,
Dave King, Mark Copani, Terry Mulhauser, Joe Porto, Mick Walker,
Duke Shanahan, Colin Aberdeen, Arty Lenin, Chuck Killdean,
Marcus Curry, Rockin' Ron Spencer just to name a few.
But
with his boundless creativity spanning all the styles from
rock to jazz to rhythm and blues, not to mention his world
class chops and world class credits, Mark Doyle reigns supreme.
Now
he's solidified his hold on the throne with his second all-instrumental
CD in a row, the self-proclaimed "Out of the Past," a mind-blowing
tribute to the sounds of the Sixties.
"I
conceived 'Out of the Past' as an album of modern guitar instrumental
reinterpretations of classic rock, jazz and pop songs from
the late 1950s to mid-'60s, plus two new originals that pay
homage to the period," Doyle said.
He
focuses specifically on the year 1966, with cool-as-hell covers
of tunes such as The Doors' "Moonlight Drive," The Beatles'
"Tomorrow Never Knows," The Stones' "Paint It Black" and Cream's
"Politician." "To me, 1966 was the time when everything came
together and you could hear fuzz guitars, theremins, tablas
and vibes all blending together into a psychedelic melting
pot."
Of
course, it's not the same old window pane. . . it never is
with Mark Doyle. With his studio acumen and digital dynamism,
he brings a new byte to the old acid brew, even when he's
picking that vintage 1968 Gibson SG.
The
focus is on Doyle's scintillating six string work, but it's
supported by a capable cast of collaborators including drummers
Keith Harris and Chris Yeoman, Senegalese percussionist Ibrahima
Camara and drum loop programmer Richard Mendelson. Lee De
La Casas deserves special mention for the loan of his Optigan
and theremin - you don't get to hear those sound-wave oscillating
gizmos much any more!
Otherwise,
Doyle plays all the instruments and synthesizers and, with
his producer's precision and his artist's passion, his arrangements
evoke a wide spectrum of emotions, from the arrogance of "Politician"
to the resignation of "It's All in the Game."
Not
only are the performances and production work awe-inspiring
on "Out of the Past." So is the CD's packaging. With an eye-catching
blood red and canary yellow motif, art director Gretta Gallivan
has aptly captured the Sixties Zeitgeist while keeping the
images sleek and sharp as the 21st Century. Michelle Gabel's
photography also visually extends the "past-meets-present"
metaphor.
With
its rock 'n' roll orientation, "Out of the Past" is a perfect
follow-up to Doyle's previous all-instrumental effort, 1999
Local Record of the Year "Guitar Noir," inspired by those
sinewy, shadowy film noir movie themes from the '40s and '50s.
When
you head to the record shop to pick up "Out of the Past,"
make sure to get "Guitar Noir" as well -- you'll be awed by
the width and breadth of Doyle's technique and vision.
Sad
but true, instrumental projects rarely make a splash on the
club scene but Doyle's not going to let that stop HIM. He'll
dive right in August 17th at Armory High (formerly Styleen's),
314 S. Franklin Street.
Be
there or be square! For information on Doyle and his CDs,
log on to his web site, beautifully designed by Webmaster
Conan, www.markdoyle.com. - Russ Tarby |