GOLDMINE
Magazine
September 7, 2001 |
Instrumental
whiz Mark Doyle first achieved notoriety in the early '70s
as the guitarist for Jukin' Bone (formerly Free Will), a
solid rock group that released some records on RCA but never
could snag the big-time brass ring.
Doyle
went on to a number of studio gigs, both as a producer and player;
his resume includes work with Meat Loaf and The New Kids On
The Block, he co-wrote a song called "Five Personalities" for
The Richards (a song also on the next album by The Flashcubes).
He also worked extensively with former Jukin' Bone singer Jumpin'
Joe Whiting in a variety of live and studio projects and has
begun issuing solo albums, exploring and expanding his craft
as a studio multi-instrumentalist.
Doyle's
second solo effort, Out Of The Past, is an instrumental workout
on the idea of getting' your kicks in 1966. Doyle uses a mix
of covers and original tunes to interpret the vibe of mid- to
late- 60s rock 'n' roll, with roots stretching back to the '50s.
Although there is only one Yardbirds cover ("Still I'm Sad"),
it's the spirit of that group that most clearly pervades Out
Of The Past, its tracks subtly recalling the work of Yardbirds
guitar god Jeff Beck even when Doyle is playing The Doors' "Crystal
Ship." For those of us less-than enamored with Jim Morrison
- a minority opinion, sure - Doyle's take can even be considered
an improvement on the original.
The
album opens with Doyle's cover of The Doors' "Moonlight Drive"
and concludes with his take on the Tommy Edwards hit "It's All
In The Game." Doyle's own title tune is both the album's simplest
track and its most effective, conjuring the fuzz-tinged image
of great mid-60s singles, LP tracks and B-sides, with remarkable,
delightful efficiency. A medley of The Rolling Stones' "Paint
It, Black" with The Beatles' "Eleanor Rigby" works far better
than you'd expect, and Doyle's version of The Beatles' "Tomorrow
Never Knows" simply soars. Alongside these rock nuggets, Doyle's
eclectically places covers of The Jazz Crusaders' "Young Rabbits"
and Nat King Cole's "The Lonely One," plus a version of Cream's
"Politician" - jeez, try to find that mix of artists on a single
radio format!
But,
you know, such a mix might have been conceivable circa '66,
when Top 40 radio regularly played The Count V and Frank Sinatra
on the same station. Out Of The Past offers a heady, accomplished
tribute to that time and succeeds as one talented artist's reinterpretation
of what an exciting era it was. (available at www.markdoyle.com)
-Carl Cafarelli
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